10/23/17

"Hangar 18" by Megadeth


   Hello, all! As the hauntingly horrifying Halloween season descends upon us, The Dial drops a selection  into your trick or treat bag that may frighten and disturb some, yet will likely cause many others to raise the “sign of the horns” high in the air and bang their head enthusiastically. From 1990, it’s thrash metal pioneers Megadeth, and their ode to visitors from the stars… “Hangar 18”.

Welcome to our fortress tall… Take some time to show you around.

Thrash metal is a genre I dabble in very rarely. I’ve never been much of a metal head, but I definitely appreciate the technical mastery of metal musicians. However, this single, pulled from Megadeth’s 1990 Rust in Peace LP, really blew me away. It didn’t hurt that the subject of the song is something I’ve been interested in for a while, the idea that the US Government has sequestered a wrecked spacecraft and alien bodies since the 1940s at either “Area 51” at Edwards Air Force Base in California, or Wright-Patterson Air Force Base in Dayton Ohio, which actually does have a Hangar 18 on site. The video is appropriate Halloween viewing as the aggressive music and rough vocals are coupled with scenes of alien creatures being captured and tortured… and clearly not enjoying it.

Foreign life forms inventory… suspended state of cryogenics…

Now, this is far from George Lucas or Steven Spielberg stuff here – it’s a lower budget music video with a lot of quick cuts of aliens struggling against military personnel, and ominous views of the inside of the hangar and the equipment within. But even still, it impresses me for the atmosphere it creates. Check out the disturbing scenes involving the short hairy alien with the huge proboscis nose, the half-naked cyborg woman, the sawblade “surgery”, and the cute baby like alien who suffers the receiving end of a needle probe while still alive. Warning, this video is not for the squeamish.

There’s also a curious opening sequence in which Megadeth’s band mascot Vic Rattlehead (the skeletal ghoul that appears on many of the band’s LP covers) barks orders to the soldiers at Hangar 18 to capture the aliens from the crashed spacecraft. Does this mean that he is actually a high ranking military or government official? That would explain why he’s giving the orders.

Additionally, at the end of the clip, the Megadeth band members are frozen in canisters, to be locked up in a deep freeze with the extraterrestrials. This raises the question – are the band members themselves actually aliens? Or are they being frozen because they’ve seen too much, given that they were rockin’ out in the hangar as the aliens were being brought in?

And why were there multiple disparate alien species in this spacecraft? Was it an intergalactic Noah’s Ark? That would be like if we sent a spacecraft to another planet containing people, cows, hawks, gorillas, kangaroos, flamingos, and alligators.

So. Many. Questions.  But I love it.

The military intelligence… two words combined that can’t make sense.

Thrash metal has always been a tough sell on top 40 radio, and Megadeth’s music never quite made the pop mainstream. In fact, the only hot 100 entry for the metal pioneers was 1992’s “Symphony of Destruction” which peaked at US #71 pop. Hangar 18 did not chart in the US, though it did make UK #26.

Despite the lack of support by radio, Hangar 18 has rightfully become one of Megadeth’s signature tunes, and even inspired a 2001 sequel entitled “Return to Hangar”, in which the aliens kill all the military personnel and scientists in the hangar before escaping.

So crank it up, and prepare yourself for thrash legends Megadeth (guitarist Marty Friedman, bassist David Ellefson, drummer Nick Menza, and of course, snarling vocals from Dave Mustaine) as they relate a story of extra-terrestrial visitors who come to regret their Earthly stop.

And from all of us here, (Mrs. Radio Dial, the Radio Dial kids, and of course, your host – me... Kyle !) have a happy, spooky, and safe Halloween!

Possibly I’ve seen too much… Hangar 18… I know too much.



 
 

 


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