6/15/14

A Tribute to Casey Kasem


Hey Dialophiles…

It is with great sadness that I must comment on the passing of a true radio legend, Mr. Casey Kasem. As has been widely reported, Casey passed away the morning of June 15, 2014 at the age of 82.

My wife informed me of the sad news that morning, just as Casey was introducing Linda Ronstadt’s “When Will I be Loved” as the number one song in the nation on a repeat of a 1975 American Top 40 broadcast. I instantly felt that an important part of my childhood was gone, which needed to be addressed on the Radio Dial.

As you all know, I became fascinated in learning the chart positions of hit songs at an early age (see my review of “Shine A Little Love” by Electric Light Orchestra for more), and Kasem’s AT40 show quickly became my source for the charts and great stories about the artists and songs. But my draw to the show was more than just the music and numbers. It was Kasem himself.

Whenever I heard Casey’s voice coming out of the radio, it seemed like he was an old family friend, dropping by to spin some tunes and regale me with his vast music knowledge. Even though I knew he was addressing a nationwide radio audience, his warm and enthusiastic delivery made me feel like he was speaking directly to me. This meant an awful lot to this introspective, quiet Maryland boy who couldn’t get enough of the music of the day, and any related trivia and tidbits. I’m sure Kasem’s tales of singers, songwriters, producers, and tours largely inspired my current fascination with trivia, especially for pop culture and music.

By the mid 80s, I was listening to Casey’s AT40 show every Saturday morning, using it to tape songs I wanted on my double cassette deck boombox, hoping that the radio signal wouldn’t get disrupted by static or C.B. interference during a particularly great song or story. He was a part of my routine… Saturday wasn’t official until I had heard at least some of Casey’s countdown.

I was also quite fond of Kasem’s work as a cartoon voice-over artist. Of course, he is universally known as the voice of “Shaggy” from Scooby-Doo, “Robin” from Superfriends, and many other primarily Hanna-Barbera characters, but he also handled three voices on my favorite ‘80s cartoon, The Transformers. My 8-year old son and I recently watched a classic episode in which Kasem’s Autobot character “Cliff Jumper”, commented on lining up a perfect shot on the evil Decepticon leader by saying…

I’ve got Megatron dead center in my viewfinder!

I told my son that I always expected him to follow that line up with…

But first, it’s time for a long distance dedication from a lonely ‘bot back home on Cybertron.

He laughed, because he got the reference, and agreed that would have been pretty awesome.

Speaking of the Radio Dial Kids, they both really enjoy listening to the rebroadcasts of the 1970’s AT40 shows, played on a local station on Sunday mornings. My son has loved ‘70s and ‘80s music for quite some time now, and when introduced to a song that’s new to him, he’ll run to get my Billboard Top 40 charts book to learn where it peaked. Now that Casey is part of my routine on a weekly basis again, my son will usually listen along with me with that very book nearby. Just like me, he loves hearing the backstories of the big hits, and also the songs that have been abandoned by radio since the countdown originally aired.

Even my 2 ½ yr old daughter knows Casey. Before I turn the radio on, I’ll ask her…

“Do you want to hear Casey Kasem?”

She’ll enthusiastically nod and say “YES!” with a big smile on her face! Then, bop her head to the beat of the next chart hit Casey introduces!

So, much love and respect to you, Mr. Kasem, for years of indisputable quality entertainment, all the great memories and of course, the music!

I will continue to enjoy and champion your work, and thank you for having such a positive effect on my formative years. And, if I may echo what you taught me (and all of us) at the end of every AT40 broadcast…

I’ll keep my feet on the ground, and keep reaching for the stars.

I’m sure all my loyal Dialophiles will do the same.  


6/1/14

"Better Be Good To Me" by Spider



Happy June 1st Dialophiles! Tonight, the Dial brings you a song we’re sure you know quite well, just not in the way you’re about to hear it. Crank it up for New York based Spider, and their 1981 album cut “Better Be Good to Me”!

A prisoner of your love… entangled in your web… hot whispers in the night… I’m captured by your spell…

This classic cut should be familiar to most of you Dialophiles out there, at least those of you who were watching MTV or listening to Top 40 radio in the mid-80s. It is best known as a Grammy winning track from Tina Turner (Best Rock Vocal Performance Female), featured on both her multi-platinum 1984 LP Private Dancer, and the first volume of the Miami Vice original soundtrack, an addition to being featured prominently in a first season episode of that groundbreaking NBC series.

However, not many listeners, then or now, realize that Tina’s hit was originally recorded in 1981 by Spider, a new wave and hard rock informed outfit, whose only Top 40 entry was the #39 “New Romance (It’s a Mystery)” from 1980. This rarely heard original version of “Better Be…” was featured on Spider’s LP Between the Lines, the second out of only two LPs that they released before splitting up. However, Spider’s biggest contribution to the pop music pantheon would prove to be their influence and presence AFTER they went their separate ways. For instance, in addition to Tina covering “Better Be”, John “Missing You” Waite also mined Spider’s discography, and charted at #16 on the US Mainstream Rock Tracks chart in 1982 with the track “Change”.

Oh yes I’m touched by this show of emotion… should I be fractured by your lack of devotion? Should I… SHOULD I???

Additionally, several members of the arachnid-titled group gained high profile, or prolific careers after Spider broke up in ’82.

Keyboardist Holly Knight, would go on to write (or co-author) tons of big hits like "The Warrior" by Scandal, "Love Is a Battlefield" by Pat Benatar, "Never" and “There’s the Girl” by Heart, and Aerosmith’s “Rag Doll”. She even had a hand in one of Tina’s later hits, the original track “The Best”.

After playing with KISS on their Dynasty and Unmasked LPs (pre-Spider), drummer Anton Fig worked with Ace Frehley under the Frehley’s Comet banner, in addition to Warren Zevon, Cyndi Lauper, B.B. King, Peter Frampton, and Bob Dylan.  However, Anton (“Zip”) is perhaps best known over the last 25+ years as the drummer for David Letterman’s band, both on NBC’s Late Night, and CBS’s Late Show.

And last but certainly not least, lead vocalist Amanda Leigh Blue continues to record, and her entire discography can be obtained at her website at amandablueleigh.com.

So, much like Paul Young’s “Everytime You Go Away”, and UB40’s “Red Red Wine”, (originals by Hall & Oates and Neil Diamond, respectively), Spider’s ode to standing up to a new lover didn’t chart on it’s own, but joined the list of songs that worked magic for another artist in a famous cover version. Take a listen, and consider… if Spider’s version had been released to radio, would it have been a big hit? In the words of Led Zeppelin… it makes me wonder.

You better be good to me. That’s how it’s gotta be now. ‘Cuz I don’t have no use, for what you loosely call the truth… you better be good to me!






"Home by the Sea" by Genesis

   “ Creeping up the blind side...shinning up the wall.. stealing through the dark of night. ”    Welcome back to Kyle's Radio Dial, fr...