9/29/13

"You Need Me" by Mariah Carey


What’s up Dialophiles?

Tonight, the Radio Dial tunes in a frequency containing a track which resides in millions of pop music fans’ music collections, as it is extracted from a debut album that has gone multi-platinum. Yet, I imagine that only the most die hard fans of this particular artist would immediately recognize the song by title. Ladies and Gentlemen, may we present, Miss Mariah Carey, and “You Need Me”! 

Wait a minute before you walk away
Let me finish, I've got a lot to say, yeah
 


Now, how could any Mariah tune be considered curious enough to be featured on the Dial, given the amount of hits and tremendous publicity she’s attained throughout her career? Good question.

How about if the track, pulled from her 1990 self-titled release, features hard rock guitar courtesy of Living Colour’s Vernon Reid of 1989’s smash hit “Cult of Personality”? Given that Mariah was mining upbeat dance pop and adult contemporary ballads at the genesis of her career, this left-field variant in her sound makes for an interesting anomaly in her discography.

The lyrics of “You Need Me” display an anger and arrogant confidence, sung by a scorned lover asserting her dominance over her soon-to-be former beau. She warns, essentially, that HE needs HER more than she needs HIM, which, she threatens, he’ll learn soon enough. 

Baby, I'm not gonna tolerate this game that you play, no
You'll regret it if you desert me this way, yeah
 


Carey’s vocal performance here is more subdued in comparison to most of the tracks on her debut LP. There’s no sign of Mariah’s celebrated “melismas” here, AKA “vocal runs”, in which she alternates between multiple notes successively while singing one single syllable of text. (Think of the final line of “Vision of Love”: “all-alll-alll-allll you turned out to beeeeee”.)

"You Need Me” also curiously under-utilizes Mariah’s five octave vocal range, reducing it to a single sustained high note buried during the track’s fade out. However, slight vocal distortion effects and a muted echo on the chorus contribute to a seething, smoky, and sultry delivery for Mariah’s angry jilted belle, resulting in an atypical song that sounds unike anything Carey has recorded since. 

No one understands you like I do…
After everything that we've been through...
Baby, you can turn around and leave…
But I know that you'll keep coming right back to me
 


I worked at a Square Circle record store when Mariah’s debut LP dropped, and for the first few months, (at least at our location), the album sales were basically dead in the water.  We even offered it up as part of a “new artist - half off sale” in order to try to move our stock. Then, the amazing “Vision of Love” single BLEW UP, and we couldn't keep her cassettes and CDs on the shelves! A star was born!

Helped by that tremendous lead single, not to mention other smash hits like “Love Takes Time”, and “Someday”, Mariah’s debut became the best-selling LP of 1991 according to Billboard Magazine, and went 9X platinum as counted by the Recording Industry Association of America (RIAA).

Yet, even a multi-platinum LP has tracks that receive no radio airplay, which never get played in concert, and end up becoming obscure footnotes in an artist’s career. “You Need Me” certainly fits that bill. It’s a shame it wasn’t released as a single, it would have been interesting to see where it would have charted nationally, though we know it’s a number #1 smash here at the Radio Dial. 

Don't you know you need me
Don't you see, believe me
Baby, now before you act so hastily
Baby, remember you need me

9/17/13

"Sausalito Summernight" by Diesel


HowYOUdoin, Dialophiles? 
As the summer winds down here in the U.S., the ever-lovin' Radio Dial brings you a nearly forgotten early '80s rock hit that speaks to those summer road trip nights of everybody's youth... Crank it up for Diesel, and "Sausalito Summernight"! 

We left for Frisco in your Rambler
The radiator running dry
I've never been much of a gambler
And had a preference to fly
 


Far from being a song of freedom on the open road, Diesel’s lyrics detail a National Lampoon-esque road trip fraught with various issues concerning the driver’s Rambler, a car last produced in '69, so this car is at least twelve years old at the time of the song’s release. The singer, a passenger out for an evening trip with his buddies, complains about the car’s bad radiator, rumbling engine, lack of a spare tire, and an unexpected $80 repair on a blown gasket, leading the singer to declare that "We oughta dump her in the bay".

Despite the litany of auto issues, the singer exhibits a playful sense of humor, and even manages to enjoy a tasty snack while stopping to fill up the old clunker.

I’ve never been to Sausalito CA, (heck, I’ve never been farther west than Chicago…) but this song makes me feel like I’m along for the ride. 

Hot summer night in Sausalito
Can't stand the heat another mile
Let's drop a quarter in the meter
And hit the sidewalk for a while
 


Released in 1981 from the “Watts in a Tank” LP, Diesel’s ode to a junker peaked at US #25, and hit the top of the singles chart in Canada. The Steve Miller styled rock band was founded in the Netherlands by Rob Vunderink, Mark Boon, Frank Papendrecht, and Pim Koopman, and disbanded in 1985 after no further hits, truly earning them the “one hit wonder” title. 

Cashin' all my checks
Scrapin' out my bank
Spend it on a Rambler
With a whirlpool in the tank
 


I have to admit… I don’t believe I ever heard this track back in the day. I first learned of the song about five years ago, when visiting my friend Greg, who has a tricked out game room filled with about 40 classic arcade games, and an 80's playlist cranking out the hits of era. Alongside expected hits from Journey, The Police, and Duran Duran, “Sausalito Summernight” was in hot rotation! Greg heard the song all the time on the hometown Ohio stations he grew up with, but I curiously never heard it back home in DC. Sometimes songs really blow up in one market, but go unnoticed in others, and that may have happened with Diesel’s rock classic. Its #25 middle-of-the-road chart peak would seem to support that theory.

So check out the song, settle in, and enjoy the ride, Dialophiles. I think I'm gonna cut out for a moment, as for some reason, I'm totally hungry for a burger and a root beer right now… hope MY car holds up on the drive! 

All aboard… Sausalito summernight
All aboard… Sausalito summernight


9/7/13

"What A Fool Believes" by Self


Hey Dialophiles! Are you ready to hear something unique? Something wacky? A familiar song delivered in a rather unfamiliar way? Well, awaken your inner child for this latest transmission from the Radio Dial, a cover of a ‘70s pop classic recorded entirely with children’s TOY INSTRUMENTS! Yes, TOYS! It’s time for recess, kids, with the alternative rock band Self, and their rendition of “What A Fool Believes”! 

He came from somewhere back in her long ago…
The sentimental fool don't see, tryin' hard to recreate what had yet to be created. 

Written jointly by Kenny Loggins, and Doobie Brothers front man Michael McDonald, and first released by Loggins on his '78 LP Nightwatch, the Doobies released their own interpretation on their Minute by Minute LP, released later that same year. The Doobies’ version hit the top of the singles charts in April '79, and earned Grammies the following year both for Song, and Record of the Year.

Detaling the heartache of a rather delusional man, whom is attempting to “rekindle” a romance with a woman that he never had a relationship with in the first place, What A Fool Believes offers up rather mature and poetic lyrics masked by the lighthearted upbeat pop/rock arrangment we are all familiar with. 

She had a place in his life…
He never made her think twice.
As he rises to her apology, anybody else would surely know
He's watching her go… 

However, Self's version of this classic hit from the 2000 Gizmodgery LP is replicated not with professional musical instruments costing thousands of dollars each… but instead with toy instruments that maybe cost $25 a piece or less! The instruments used read like an inventory sheet from Toys R Us. The Playschool Busy Guitar, the Little Tykes Xylophone, Suzuki Omnichord, Hasbro Musi-Link, Mattel Star Guitar and Disney Piano, and various toy phones from V-Tech and Little Smart, among other kid friendly noisemakers.

The Gizmodgery LP, and the genius Doobie Brothers cover, won high critical acclaim, though no singles were released to radio, and thus, earned no Billboard Hot 100 position.

Spearheaded by singer, producer, and multi-instrumentalist Matt Mahaffey, Self released a total of nine LPs from 1995 through 2005, then entered hiatus while Matt and the other bandmates (Chris James, Jason Rawlings, and Mac Burrus) pursued other projects. Mahaffey toured with Beck on his 2005 and 2006 tours, and produced for artists as diverse as Tenacious D, Beyonce, Phantom Planet, Pink, and Liz Phair. He’s also contributed to many television and movie scores and commercial jingles, including the famous banjo sporting Expedia tagline... “Expedia- dot commmmmm.”

Here at the Radio Dial home office, the floors are often a chaotic mess of toys, as the youngest members of the Dial team are a toddler and a seven year old. Among these toys, one will find various musical instruments… maracas, tambourines, guitars, keyboards, jingle players… mercifully, no drums… yet.

But seeing as how Mahaffey got started playing music with his brother Mike at age 4, then followed his dream of being a musician and producer, perhaps the “Radio Dial Kids” will follow a similar path, drawing inspiration from, and eventually revisiting, their favorite childhood melody makers if they decide to pursue music. We’ll have to see what the future holds… but it sure would be cool, wouldn’t it? 

But what a fool believes he sees
No wise man has the power to reason away
What seems to be
Is always better than nothing
There's nothing at all
But what a fool believes he sees...


"Home by the Sea" by Genesis

   “ Creeping up the blind side...shinning up the wall.. stealing through the dark of night. ”    Welcome back to Kyle's Radio Dial, fr...